The Burning Chair Readings
present
poetry readings by
Adam Clay
Keith Newton
Johnathon Williams
Saturday, October 6, 8 pm
Nightbird Books
205 West Dickson Street
Fayetteville, Arkansas
FREE!
The Burning Chair Readings,
founded by Katy and Matthew Henriksen in New York City in 2004, have organized
regular and special literary events in several cities and now call Nightbird
Books and Fayetteville, Arkansas home.
Readings feature poets of emerging talent and established reputation
from Fayetteville and across the country.
Author Bios
Jessica Baran is the author of the poetry
collection Remains to be Used (Apostrophe Books, 2010) as well
as the chapbook of prose sonnets Late and Soon, Getting and Spending (All
Along Press, 2011). Her poetry has appeared in Harp & Altar, BOMB
Magazine, Sink Review and the Tusculum Review; her
art criticism has appeared in Art in America, Art Papers,
and the Village Voice, among other journals. She lives in St.
Louis, where she’s the art writer for the Riverfront Times and
co-curator of the fort gondo poetry series.
Adam Clay is the author of A Hotel Lobby
at the Edge of the World (Milkweed Editions, 2012) and The Wash
(Parlor Press, 2006). His poems have appeared or are forthcoming in Boston
Review, Ploughshares, Denver Quarterly, Iowa Review, New
Orleans Review, and elsewhere. He co-edits TYPO Magazine and lives
in Kentucky.
Keith Newton’s writing has appeared in Denver Quarterly, 1913, Harvard Review, and
Typo, among other journals, and his
chapbook of poems Sent Forth to Die in a
Happy City was published in 2009 by Cannibal Books. He is co-editor of The Harp & Altar Anthology (Ellipsis
Press, 2010), a selection of writing from the online magazine Harp & Altar, which he founded in
2006. He lives in Brooklyn.
Johnathon Williams is the author of The Road to Happiness (Anitlever
Press, 2012). He works as a writer and
web developer from his home in Fayetteville, Arkansas. He’s a founding editor
of the online magazine Linebreak and the co-editor of Two Weeks, a digital anthology of contemporary poetry.